Kęstutis: "We were living at Gričiupio Street, where the current KTU student campus is located.
*Kęstutis*: "We were living at Gričiupio Street, where the current KTU student campus is located. Previously, it was a village on the outskirts of the city, however now it is almost the city centre. It was an international neighbourhood. My best friends were German-born children. Also, there lived many Russians and some Poles. Of course, there were Lithuanians, too. There was a zoo nearby, around 300–400 meters away. It was very interesting to go there through the fence, of course, without a ticket. Once, together with my friends, among whom I was the youngest, we decided to hunt ducks with bows at the zoo. I was waiting on the hill while my friends were at the bottom. They returned very quickly because someone was chasing them. We came back home without our bows. Probably I was very scared because even today I remember that fear."
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Lolita: "Gimiau ir augau Kauko alėjoje (kai gimiau, ji tuo metu dar vadinosi S.
*Lolita:* "Gimiau ir augau Kauko alėjoje (kai gimiau, ji tuo metu dar vadinosi S. Šimkaus alėja). Ąžuolynas yra vienas miesto miškas, o šalia gyvenantiems buvo aktualu jį konkretinti. Taigi, tarp K. Petrausko, Parodos ir Radastų gatvių esančią dalį, kur XX a. 9 dešimtmetyje dar buvo atrakcionai, vadinome Mažuoju Ąžuolynu, arba Ąžuolynėliu, o dalį nuo K. Petrausko g. Zoologijos sodo link - Didžiuoju Ąžuolynu. Į Zoologijos sodą eidavome pėsčiomis. Ąžuolyne - įspūdingiausia, be abejo, buvo stumbro skulptūra, bet būdama maža labai mėgau ir L. Striogos "Poilsį", kurį vadinau "hipopo" - matyt, vaikui kažkuo priminė begemotą." (2019 m.)
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Elena: "While drinking my morning tea, I read an article about the old Kaunas movie theatres:" It's incredible, but today in Kaunas, out of almost 40 old movie theatres, only one had survived and is still operating.
*Elena:* "While drinking my morning tea, I read an article[https://www.lrytas.lt/kultura/istorija/2017/07/29/news/i-kino-teatra-ne-filmu-o-mesos-ar-teisingumo-paiesku-2075561/] about the old Kaunas movie theatres:" It's incredible, but today in Kaunas, out of almost 40 old movie theatres, only one had survived and is still operating. The rest became ghosts or a place where other activities are being developed. " As I‘ve read those words, an old story came to my mind. I couldn't wait to finish reading and find out what was that small and cozy movie theatre; I was lucky enough to go there once (when I came back, after a while, I didn't find the movie theatre there - there was a court instead). Apparently, the theatre was demolished in 2006, and the court got established here due to its strategically convenient location. Definitely, A. Mickevičiaus Street is in the very heart of the city, and all the important institutions are easily accessible: on the other side of the road - Kaunas interrogation isolator, next to it: Kaunas University of Medicine, where I have studied as well. I remember while looking through a window in a pharmacology laboratory, you could observe isolator‘s post office operations: through a slatted window of the third floor, a rolled paper note tied to a string – slowly moving down, until it finally reaches the window of the second floor. Someone’s hand grabs the note and a few minutes later - ties the answer, pulls the string for a few times, and the message starts traveling up. All-day long: up and down, up and down... And that story about the movie theatre goes like this. Back in 2006, “Vilnius Ghetto“ was released. Since the movie was created by a Lithuanian film studio, and I am really interested in this historical topic, I‘ve decided to go. As I‘ve read in a poster - the film had to be screened in a movie theatre near the university - it so convenient going there after the lecture. I remember it was warm and green. An evening. I took a bus going down the Parodos hill road, got off on Kęstučio Street, turned to Mickevičiaus Street, as I‘ve passed the interrogation isolator - went inside the university. So silent in there. The lecture was canceled. I‘ve crossed the road, bought a ticket, and entered a small, cozy auditorium. It was empty - I could sit wherever I wanted. I chose to sit in the middle of the sixth row. I remember thinking, that I’d never watched a movie being the only visitor in an empty movie theatre. I was ready to enjoy the moment, while a guy came in unexpectedly, a moment later - a girl. That ‘s OK, I thought, they should sit in the last row. They stood next to the entrance. The guy viewed over the auditorium, a moment after – he did hurry to take a seat ... next to me ... in an empty auditorium. I was so surprised, I didn’t say anything, I just smiled with my eyes, while looking at the screen. The girl approached and quietly sat next to him.
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Raimonda Pauzienė (51): [In Juozas Naujalis Music School] everyone was trained to be a musician.
*Raimonda Pauzienė (51):* [In Juozas Naujalis Music School] everyone was trained to be a musician. Only several people would not later apply for studies in the conservatory. There was this one girl in my class who strained her arm and went to a different school. Students from other schools used to say that they do not know what to do after studies, but for us it was all clear. Everyone knew that children from Naujalis or Čiurlionis schools were different. They had a different motivation, different extracurriculars, motivation to go to the theatre and concerts. Later they also tried to enrol their children in unconventional schools, because they understood how important like-minded people and friends were. Music changes a person. /.../ [At school], the focus was on music. A year before graduating from school, we basically completed all subjects of general education and practiced for musical exams only. We used to spend most of the time with the teacher of our speciality. I remember my teacher as a specialist with fondness, even though it was a difficult [experience]. However, when I communicate with my pupils, I try to behave in a completely different manner. /.../ [Then] the rules were very strict... You could get a warning for not bringing a handkerchief [to school], for crying during the lectures. My teacher was very strict. And teacher Kumpikienė has remained the same to this day. Of course, now I am thankful for everything, even though sometimes certain things went over the top. If you failed to bring a hair pin or a handkerchief, you got a warning. Your nose was runny, you were crying, because you pitied yourself, since you were embarrassed for not being able to do something, [you got] a warning. /.../ For a child, this school was really too strict. Relationship with teachers was not friendly. Even though our classroom tutor was very gentle. She was a teacher of Lithuanian language, she would bring us to camp by some lake. And others... You could not speak with teachers like you can now. It seems that children can speak to them more.
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Alvydas Vaitkevičius: I am sending several photos by a famous photographer from the Soviet times, Stanislovas Lukošius which he gave me before he passed away.
*Alvydas Vaitkevičius: *I am sending several photos by a famous photographer from the Soviet times, Stanislovas Lukošius which he gave me before he passed away. Photos feature explanations by Stanislovas Lukošius himself. He had a phenomenal memory and knew about the past of Kaunas in great detail. He wrote the texts himself, even though he was almost blind, so they are not easy to read... Almost 30 years ago, I got an opportunity to speak with him at his home. At that time, he had been blind for maybe 10 years and could not manage the archive of his photos and negatives without help. My son, who was then around 12 helped him at that time. Lukošius was a great patriot of Lithuania and greatly influenced my son's attitude towards history. Lukošius gave these and other photos to my son, but these are of the best quality. Maybe later I will find more... (2014)
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(Operating from 2011 to 2013).
(Operating from 2011 to 2013).
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Greta: To me, VMU equals study years.
*Greta:* To me, VMU equals study years. When I was still at school, I dreamed of studying in Vilnius, but VMU has been re-established for just several years, and it was so tempting, since it had a new study programme, and it was a completely new university without any Soviet traditions, full of promise that things here would be different, Western.:) During the admission, Liucija Baškauskaitė (!) spoke to me (besides entrance exams, there was also an interview about motivation). Later lectures were delivered by a famous anthropology professor Arvydas Žygas (whose then incomprehensible yet enchanting lectures I started attending while still at school). There was also now-legendary Gintaras Beresnevičius (there was a rumour about him that he feared audiences, because he seemed shy and confused), an English teacher from Los Angeles, Amanda, a strict Frenchwoman Miriam (both connected to Kaunas by temporary romantic ties) and many others. Now I think, that there has been this promise of freedom in the air, the feeling that I have been missing for all my years in school. Since the number of students was ten times smaller, everyone knew one another or at least had seen one another before. Lectures were attended by people of different specialities and courses, so you could feel like a part of the community. It is no wonder that if you meet a person today from these times, even though you have not interacted with him or her, you feel the sense of kinship and this can be confirmed by all graduates from the first years.
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Alvydas Vaitkevičius: I cannot stop myself from sharing certain interesting pages with the memories about our old War Museum.
*Alvydas Vaitkevičius: *I cannot stop myself from sharing certain interesting pages with the memories about our old War Museum. I found this with my family in a wonderful book by Jonas Dovydaitis “Žmogaus sparnai” (1971) dedicated to the birth and development of Lithuanian aviation and to the famous aviation designer Bronius Oškinis. These are his first impressions about visiting the War Museum provided in these pages.
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1 photographLili Kristina Vaičekauskaitė-Čepauskienė (2014): Me and my mother in the Oakwood Park in1947.
1 photograph *Lili Kristina Vaičekauskaitė-Čepauskienė (2014):* Me and my mother in the Oakwood Park in1947. A man next to us is my father's coworker and my father is behind the camera.
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Žilvinas: “My brother and I, we are twins.
*Žilvinas*: “My brother and I, we are twins. We used to be very naughty children and to get some rest, our grandma would bring us for a walk to visit the lions. On one of such occasion, we found a photographer who took a photo of us all. Later something similar happened when we were 12-year-old. In those times, our parents would work a lot and we would spend a lot of time with our beloved grandmother. When we grew up and started living our own lives, we still have not been able to forget the wonderful times of youth and childhood. Because of this, when brother’s daughter Monika comes from America, I always say to her that she is always a Lithuanian and a Kaunasian. And I also go for a walk in Laisvės Alėja with my little son Nojus quite often. Every time, we visit the Museum of War for a meeting with lions. :) I have taken the last photo with lions in 2013, capturing my brother’s daughter Monika. I was born in 1966 in Kaunas and I am not planning on leaving it no matter what. :)” (2018)
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Alvydas: Some time ago, before the monument for Darius and Girėnas, there was a “singing fountain”.
*Alvydas: *Some time ago, before the monument for Darius and Girėnas, there was a “singing fountain”. Everyone really liked it... (2014)
Read moreSITES OF MEMORY
1 Projects 114 12 Routes
Our memory is framed by spatial reference points: places, sites, buildings, and streets give us our bearings and enable us to anchor and order our memories. So, the material alteration of these places can lead to the substantial modification of our memories, and even their disappearance.Post your memory here